Prize Winner

I am very pleased to announce my play Quarantine was awarded Third Place in the annual One-Act Playwriting Competition at the Little Theatre of Alexandria in Northern Virginia.

In notifying me, the head of the competition said: “Out of 90+ plays, yours was the 3rd rated highest in our competition. People loved your show. They thought it was very realistic, and they loved the strong male characters…People devoured your show, and many offered to try out for it, they loved it so much….It was very compelling, and kept everyone engaged. You should be proud of your accomplishments and know that you were the “cream of the crop.”

My deep thanks to LTA for this recognition.

If interested in Quarantine, see my post below; it’s also available through New Play Exchange.

Find me on New Play Exchange

Anyone interested in my work can find my plays on the New Play Exchange.

https://newplayexchange.org/users/3686/bruce-bonafede

Plays currently available include:

Advice to the Players – full-length (90 minutes, no intermission). A shorter version was Heideman Award winner at Actors Theatre of Louisville in 1985. The full-length version premiered at the Philadelphia Festival Theatre for New Plays, and became available thru Samuel French in 2015.

Crusade – full-length, two acts.

North – full-length, 75 minutes, no intermission.

Quarantine – one-act. Winner (3rd Place), Annual One-Act Playwriting Competition, The Little Theatre of Alexandria, 2018.

10-Minute plays:
- The Short Christmas Dinner
- Hollywood’s Hideaway
- Mahi-Mahi
- Death in the Woods

New One-Act Play: QUARANTINE

A fast-paced military drama of roughly 30 minutes, Quarantine is based on the legend of the Black Syphilis during the Vietnam War. In the play, a reporter and a photographer, burnt-out by the war and returning home to the U.S., are forced down on an unknown island in the western Pacific, the site of a secret Army facility. There, a conscience-stricken young officer leads them to discover the island’s terrible truth – a truth the Army does not want revealed.

Cast: 7M. Due to the time period and the content of the play, all roles need to be played by men.

Production requirements of the play are minimal. There are few props, and most scenes are meant to be created by lighting effects.

History: I actually conceived of Quarantine back in the early 1970s. I was active in the anti-war movement, and we all heard the stories about a virulent strain of syphilis that was infecting our guys in ‘Nam and that the Army was covering it up. I did an early draft of the play but wasn’t happy with it and put it aside. Recently I reworked it and that is the new version.

The play should be taken at face value as an entertainment and that’s all. I’m not trying to reveal any hidden secrets or make any accusations against the military. The Black Syphilis was a legend — it was never proved. I simply used it the way other writers have used unproven legends as the basis for a good story — like, say, the Greek tragedians did with the Trojan War. However, if an audience feels the crimes in the play somehow reflect on the greater crime of the Vietnam War, it wouldn’t break my heart.

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